The Devil’s Due: Welcome to Hell’s Kitchen

DD 500

I love Daredevil. As of last year, I own and have read everything from the beginning of “Vol. 2” – when Marvel reset the numbering to #1, put it under the “Marvel Knights” brand, and let Kevin Smith take the reigns – up to Andy Diggle’s #507 – which is actually #127 under the new numbering, but Marvel saw it fit to override that with the old system in order to commemorate reaching 500 total issues. Doing this was no easy feat, as many of these issues are only collected in now out-of-print trades, or not collected in trades at all. I also own the three trades that follow the point I’m at, trades that revolve around Matt Murdock’s final fall from grace and subsequent “rebirth.” But I’m getting way ahead of myself there, storyline-wise. My point is: I love Daredevil.

And it’s all been done since March / April of 2010. I wish I knew the exact date, but I can’t seem to track it down. Again, though, I’m getting ahead of myself.

My first genuine encounter with “horn head” was, in retrospect, regrettable: February 14, 2003, Ben Affleck, Evanescence song and all. At the time, my dad was the only really solid DD source I had, and he hadn’t picked up an issue in decades. Still, he knew enough to shoot the bull with me after the family had seen it, and helped impress a few things into me: Kingpin was too big to ever be played in real life by anyone, Matt Murdock would never have been seen fighting anyone in broad daylight, in street clothes, on a playground, etc. But my pop watches movies to be entertained and it had done the trick, so we arrived at a “fair” rating on the whole thing.

The only other outcome was that I started looking around our local Books-a-Million for any DD trades – my standard response to all super-hero films at that point in my life. I tried reading both Frank Miller’s Man Without Fear and Smith’s Guardian Devil; I knew both of those names, and so was interested, but as with many comics I tried to read back then, the art wasn’t glitz-gloss or manga-esq enough for me. So the film remained my only real look into Hell’s Kitchen, which was ok with me back then. So I’ll leave the movie alone… for now.

I would be remiss if I didn’t put at least some attention into the development of my comics interest during between the two dates I’ve given you so far. I mean, it’s only seven years or so. The short version is this: I liked manga throughout college (‘03-‘06) and still do, though to a lesser extent; the only American comics I tended to read then were those with Star Wars at the top, or the aforementioned movie-inspired forays into Marvel / DC. The three big catalysts to the huge “funny book” fan I am now all came after I moved to Annapolis for grad school in fall of ‘07.

1. I read the first few trades of DMZ at the Borders near the theater I worked at, and so began to look more into the indie comics published by Vertigo.
2. One of my managers saw me reading there, and so shared his Punisher MAX trades with me, which started a chain reaction of comics reading at the theater.
3. In May of ‘08, Third Eye Comics opened less than a mile from the theater, and I met the owner Steve, whose ability to gauge what people will like is mind-blowing.

Even with all these influences, though, it was a long time before I owned anything within mainstream “cape” continuity. Sure, I had the occasional self-contained trade, but I think even all of those were Batman. I like Batman, always have. No, it wasn’t until I had known Steve for a while that he got me to finally read an ongoing superhero series: Ed Brubaker’s Captain America. I loved it, immensely, and added Brubaker to my list of authors to keep an eye on. The only other Marvel stuff that really piqued my interest was in the alternate “Noir” universe. I picked up the Punisher, Wolverine, and Daredevil arcs under that brand, and enjoyed them all. But the DD run gave me my first taste of Hell’s Kitchen in years. And I liked it.

Then, as I mentioned, in 2010 my girlfriend and I were in Third Eye buying her some comics so she could see if she liked them, and she said “I liked the movie Daredevil. We should look for that.” I looked at the DD trades, and low-and-behold was a “Volume 1” with Brubaker’s name on it, which Steve said was a great place to start.

Turns out that particular trade started with issue #82 and went to #87, and as such not really what she had been looking for; I decided to give it a shot, and was completely blown away. Sure, I had obviously missed a few things: Matt Murdock was in jail, Elektra wasn’t dead anymore, etc. But the writing was good enough to get me hooked, and it avoided many of the problems I have with cape stories. There was no multi-dimensional war being fought, or ten thousand different characters I needed to keep track of, or a plot that I needed to buy four different trades under other titles just to make sense of. It was a story about people, and one that made me care.

I had also picked up the fantastic Daredevil: Yellow by the dynamic duo of Jeph Loeb and Tim Sale of Long Halloween fame. Like their two other Marvel one-offs, Yellow focuses on love and loss due to Matt’s alter-ego. While not connected directly to the main run, it only served to heighten my interest in these characters.

So in July of 2010, I acquired the rest of Brubaker’s run (#88-120), an oversized trade that contained Smith’s #1-8 and David Mack’s #9-15, and the first of three massive trades that collect all of Brian Michael Bendis’s run, starting with #16-19/26-40. Yes, I know there are gaps in that, gaps that I had to address later. But at that point, I was set. On a trip to Cedar Point that year, I used airport and car time to read through the Smith / Mack trade and everything Brubaker had done. I skipped the Bendis stuff because I couldn’t afford the second two trades that completed his run, and I had already read beyond them. I enjoyed every panel of it, and figured I’d pick up what remained later that summer.

Then life happened, as it tends to. I changed jobs several times, managed a massive relocation that I had been planning for a while, and so on. Somewhere in the shuffle, that first Bendis trade got left on a shelf several hundred miles away. Christmas came and went, along with a visit home; still it sat there, waiting for the pieces to fall into place. I knew that some amazing stuff was going on in the current run of DD, being written by Andy Diggle, the mind behind Losers. Finally, in July of 2011, I grabbed it off my shelf. We were planning on getting to a certain teenage-wizard-movie midnight show way too damn early and I knew I’d need reading material to kill some time.

That trade took me at least three hours to get through; I honestly kind of lost track while I was reading. It was unique, even amongst the oft-unusual and genuinely fascinating things that preceded and succeeded it. The first arc in it, “Wake Up”, is possibly the best thing I have ever read in a mainstream cape series, and Daredevil is barely in it. I didn’t really think about the rest, after that. I had known for a while that it might be possible for me to actual get my hands on this entire run, and so I took the necessary steps to do so. Since July 2011, I have acquired everything remaining, which required me to go so far as tracking down singles from 2001, because a certain arc was never collected in a trade. But I managed it, and here it is:

DD Collection

• Daredevil Volume 1 (Trade); Smith / Mack; #1-15
• Daredevil Ultimate Collection Book 1 (Trade); Bendis; #16-19/26-40
• Daredevil “Playing the Camera” (Singles); Gale; #20-25
• Daredevil Ultimate Collection Book 2 (Trade); Bendis; #41-50/56-65
• Daredevil / Echo “Vision Quest” (Trade); Mack; #51-55
• Daredevil Ultimate Collection Book 3 (Trade); Bendis; #66-81
• Daredevil “The Devil, Inside and Out Vol. 1” (Trade); Brubaker; #82-87
• Daredevil “The Devil, Inside and Out Vol. 2” (Trade); Brubaker; #88-93
• Daredevil “Hell to Pay Vol. 1” (Trade); Brubaker; #94-99
• Daredevil “Hell to Pay Vol. 2” (Trade); Brubaker; #100-105
• Daredevil “Cruel and Unusual” (Trade); Brubaker; #106-110
• Daredevil “Lady Bullseye” (Trade); Brubaker; #111-115
• Daredevil “Return of the King” (Trade); Brubaker; #116-119/#500
• Daredevil “The Devil’s Hand” (Trade); Diggle; #501-507
• Daredevil “Shadowland” (Trade); Diggle; #508-512
• Shadowland (Trade); Diggle; #1-5
• Daredevil: Reborn (Singles); Diggle; #1-4

I’ve read through all of this once, and I’d be lying if I said these articles weren’t a convenient excuse to re-visit Hell’s Kitchen. I also have several unread Miller trades, Bendis’s Daredevil: Ninja, and Daredevil: Yellow in the mix. Plus this time I’m going to ask you all to come along, even deeper into these alleys, and higher onto these rooftops, and to trust me along the way. To hope that it’s not just the blind leading the blind, so to speak. I’ll do my best to show you the way, and do it as Matt would.

Without fear.


Leave a Reply

Your email address will not be published. Required fields are marked *